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American Literature books summary |
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American Literature books summarypreacher. As they looked up to him with greater fervor, he began to hate himself more. Many a time he stood on his pulpit aching to tell them of his sin, release it from his heart. However, all he could manage to say was that he was a terrible sinner, which only inspired his congregation more because they saw him as virtually flawless. He fasted, prayed, and kept vigils in order to purge himself, but the sin upon his soul haunted him without end. Chapter 12: It was midnight and Reverend Dimmesdale was so tortured by his sin that he took himself out and stood upon the scaffold that Hester had stood. He planned to stay there all night suffering from his own shame. At one point he cried out hoping in his mind to wake the whole town so they could see him standing there, so his sin could finally be revealed and his mind eased. However, no one in the town was awakened by his cry. At one point from his perch, he saw the Pastor John Winston walking towards him, but the man was wrapped up tightly in his cloak and did not notice the Reverend on the scaffold. His mind wandered to what he would look like in the morning when his body was frozen with cold, and at the image of himself in his mind, he laughed. His laugh was returned by a sprightly laugh in the darkness that was none other than Pearl’s. He cried out to her in the night, and to Hester. They appeared having been out measuring a robe for a man who had died that evening. At the Reverend’s request, they came to stand upon the scaffold with him and they joined hands in their sin. Pearl asked the Reverend repeatedly if he would come stand with them on the scaffold the next day at noon, but the Dimmesdale refused. Out of the darkness, Mr. Chillingworth appeared, and the Reverend spoke his fear and hatred of the man. He asked who he really was, and because of her oath, Hester kept her silence. Pearl whispered gibberish to him in revenge for him not standing with them the next day on the scaffold. The Reverend looked up into the sky and saw a meteor trail that looked like a large red ‘A’ leering at him. Mr. Chillingworth told him to come home and he left the scaffold with the evilly happy physician. Chapter 13: Seven years had passed since little Pearl’s birth. The letter on Hester’s chest to the village people had become a symbol of her good deeds. It set her apart from the general population, but many looked on her as a sister of charity. When someone was in need she was always the one by his or her side. Many people in town said the A stood for able. She had changed. She was an empty form, void of the passion and love that people were able to see in her before. Her luxurious hair was always hidden from the sight of the people. After the minister’s vigil, Hester found a new cause for sacrifice, a new purpose. She decided to talk to the old physician, her former husband, and try to save his victim from further mental torture. After making her decision, she came upon him as he was walking the peninsula. Chapter 14: Hester instructed Pearl to go run and play and she went to a pool and saw herself there. Hester accosted Mr. Chillingworth and he began telling her of all the good things the people in the town had said about her. The leaders in the town at the last council meeting had even thought about admitting Hester to take the letter off her bosom. Hester told him that if the Lord meant her to take it off her chest that it would have fallen off long ago. While they began talking, Hester took a good look at him. In the past seven years he had aged well, but there was a strikingly different look about him. He wore a guarded look of an eager angry man who was out for revenge. They began talking about the minister and Mr. Chillingworth reveals that had it not been for his care, the minister would have died long ago. Hester asks if he has not had enough revenge since he was able to torture the minister every day by burying into his heart. He answers no, that it will never be enough. Hester tells him that she plans on revealing his secret to the minister and he tells her that neither of them are sinful and evil, they just must lead the lives that they were given because of her sin. They say farewell, and Hester leaves him to gathering herbs. Chapter 15: Hester watches him for a while from a distance disgusted at the evil she sees in him. She turns to find little Pearl who was playing with all the different things in nature. When Pearl goes back to her mother, Hester sees that the child has made a letter A out of seaweed and placed it on her chest. Hester asks the child if she knows what the letter her mother wears means. Pearl answers that it is the same reason the minister keeps his hand over his chest. That is all she knows however, and she asks earnestly why she wears the scarlet letter, and why the minister places his hand over his heart. Ever since she was little, Pearl had a certain fascination with the letter that tortured her mother even more. Hester decided it was better to not unburden her sin upon her child and told her daughter that it meant nothing. After that day however, Pearl would ask her mother two or three times a day what the scarlet letter meant. Chapter 16: : Hester learned that the Minister had gone into the woods to visit a friend who lived among the Indians. She learned when he was expected to return, and when the day came, she and Pearl went into the forest so she could catch him on his return and speak with him in private. As they enter the forest, Pearl says that she can stand in the sunlight, but the sunlight runs away from Hester. In response, Hester reaches out to touch the stream of light that flocks around the little elf-child, and it vanishes when her hand comes near. Pearl then asks her mother for a story about the black man who inhabits the forest, which she over heard a woman the previous evening talking about. Pearl said that people went into the forest and signed the Black man’s book with their blood and that she heard the scarlet letter was the black man’s mark on her mother. They traveled into the deep into the forest and stopped next to a little brook that Pearl began playing around. After a while, they saw the Reverend Dimmesdale come walking slowly down the path, and Hester tells Pearl to run and play. Chapter 17: Hester calls out to the Minister and he instantly straightens up and looks towards her. He finds out it is she and they inquire on how their lives have been in the last seven years. They sit down together on a log, and ask each other if they have found peace. The minister expresses his sadness and how he feels like a hypocrite teaching others to be holy, when he himself has a terrible hidden sin. Hester tries to help him by talking with him and caring for him. He thanks her for her friendship. She then tells him of Roger Chillingsworth, how he is her husband, and out for revenge. Dimmesdale is horrified but knew that something was wrong with Roger Chillingworth. Hester could not take the frown that descended upon his face, and asked him if he forgave her. He has, and she asks if he remembers what they had. She hints that they once had a great passion and affection for each other. Hester talks of them leaving together. Arthur says he has not the strength to travel that far, but with Hester helping him, they thought they could do it. Chapter 18: Together they decide to leave the New World together and not torture themselves further with their sin so that only God will judge them. To them, they are damned already. Hester unhooks her scarlet letter and tosses it by the bubbling brook. They make plans together and say that they will leave for England on the ship that is in the harbor. Talking of their love and their plans, they call back Pearl, for once happy and with lifted spirits. Pearl is off in the forest playing and interacting with the animals. When they call her back, Pearl comes slowly when she sees them sitting together. Chapter 19: They sat there looking at Pearl as she approached. She had adorned herself with wild flowers and looked like a fairy child. They rejoiced in their child as she came towards him, and Arthur was exceptionally afraid and anxious for the interview. Pearl stopped at the brook and stared at them. The child pointed at her mother with a frown. Hester called out to her harshly to come and Pearl began screaming and throwing a tantrum. Hester realized that the child was upset that her scarlet letter was not affixed to her mother’s breast. She walked over to where it lay on the ground and showed it to the child. She pinned it back into place, and Pearl was pacified and happy again. They approached the minister and the three of them held hands, and they tried to explain to her that they were all going to be a happy family. The minister kissed Pearl’s forehead and she ran quickly to the brook to try to wash it away. Chapter 20: Arthur Dimmesdale walked home happily. For the first time in seven years, there was a bounce in his step and a light in his hurting heart. On his way, he saw some of his parishioners and he had thoughts of corruption on his mind. He thought about the reaction he would get if he whispered corrupting things in their ears. There are three different people he runs into in which he feels this. He resists the temptation to do this, and wonders why he is having these thoughts. He wonders if he signed the black man’s book in the forest with his blood. He runs into a woman known as the town witch, and she tells him the next time he wants to go into the forest she would go with him. When he arrives home, Mr. Chillingworth comes into his room, and the Reverend refuses to take anymore of his medicine. He sits at his desk and reworks the sermon he had planned for the following celebration. Chapter 21: A public holiday because of the election was planned and everyone from that and the neighboring towns attended in their best clothing. Hester and little Pearl attended but stayed slightly apart from the crowd. Though everyone was packed close to see the parade, there was an empty circle around Hester because of her scarlet letter. She had gone previously to make plans with the captain of the ship that they were going to take to England, and she saw the captain of that vessel talking to Roger Chillingworth. The captain then came over to her and informed her that the physician would be attending the voyage with them. She looked towards him, and he smiled at her evilly. Chapter 22: The parade began and Pearl saw the minister when he reached the front. She asked if that was the same minister who kissed her in the woods, and Hester told her to not talk about it in the marketplace. Mistress Hibbins approached her and began talking to Hester about the minister. Hester denied any involvement with him, and they began watching as he preached to the people. Pearl left her mother and wandered around. The captain of the ship told Pearl to give her mother a message for him. She told him that her father was the Prince of Air. She threatened him and ran to her mother. Hester’s mind wandered and thought about how she would soon be free of he scarlet letter and the pain associated with it. Chapter 23: The minister ended his incredible speech and it was one of the best of his life. The people were inspired and as the parade turned therefor, everyone would exit. The minister looked exceptionally sick and called to Hester and Pearl to come to him. Roger Chillingworth ran towards and tried to get Hester back from the minister. He is dying and with his last breaths he shouts his sin to the audience around and blesses Hester and Pearl. He tells the people to take another better look at Hester and at himself so they see the truth in them. He ripped off the ministerial band from his chest, and the people stood shocked. The people are struck with awe and sympathy. The doctor came over the minister, awestruck because he will lose him and his revenge. Dimmesdale asks Pearl for a kiss and she finally places one on his lips. Hester kneels over him and asks him if they will not see each other again, and spend eternity together. The reverend tells her that their sin was too large, and that is all she should be concerned. He shouted farewell to the audience and breathed his last breath. Chapter 24: People swore after that day that when they saw the minister rip off the band on his breast that a scarlet ‘A’ resided there. Many thought that he made the revelation in the dying hour so everyone would know that one who appeared so pure, was as much a sinner as the rest of them. Roger Chillingworth died within the year and bequeathed large amounts of property both in New England and in England to Pearl. This made Pearl the richest heiress in the New World. Soon after his death, Hester Prynne and her little Pearl disappeared. Years later Hester came back alone to live with her sin in her cottage. Pearl was thought to be happily married elsewhere and mindful of her mother. After her return, many people of the town went to Hester for advice and help when they were in need. After many years she died, and was placed next to the saintly minister. They shared a tombstone and they would be together forever. Character Profiles Hester Prynne: A beautiful puritan woman full of strong passions, Hester Prynne is the main character in the story. Employed as the village seamstress, she is strong and caring, helping anyone she can when he or she are in need. With a penitent heart, Hester travels through the story becoming only a shadow of her former passionate loving self. Other than the scarlet letter, she was a very moral woman whose only joy in life was her daughter Pearl. Roger Chillingsworth: The missing husband of Hester Prynne. He shows up the day that Hester is put on public display and does not show himself as her husband. A scholar and a man of medicine, his soul purpose in his life becomes revenge against the man who helped his wife sin. By the end of the story, he is shown to be an evil character. Pearl: Looked on as the devil’s child, Pearl is the only one in the story that is purely innocent. She is passionate, intelligent, and energetic. Pearl is in touch with nature and with her mother’s feelings. Ever since she was born, Pearl had a fascination with the scarlet letter that is a constant reminder for Hester of her sin. Arthur Dimmesdale: The minister of the town that the people adore, Arthur was the secret lover of Hester Prynne. He was a sickly man who took his sin very seriously. He spent the seven years since his indiscretion with Mistress Prynne trying to repent. He wore down his body with his penitence and his sin ate away his soul. In the end, he frees himself from his guilt by admitting to everyone his sin. Metaphor Analysis The Rose Bush: A rose bush that grew outside the prison was a symbol of survival, that there is life after the prison where Hester spent he beginning of the story. The Scarlet Letter ‘A’: The letter that Hester was forced to wear upon her bosom, the scarlet letter was not only a symbol of her adulterous sin, but of the women herself. The letter masks her beauty and passion as the story goes until it is what she is known. The Black Man in the Woods: the peoples symbol for the devil. The woods in those times were a very scary place, and they thought that people that went into it came out evil and corrupted. Theme Analysis The Scarlet Letter is a story that illustrates intricate pieces of the Puritan lifestyle. Centered first on a sin committed by Hester Prynne and her secret lover before the story ever begins, the novel details how sin affects the lives of the people involved. For Hester, the sin forces her into isolation from society and even from herself. Her qualities that Hawthorne describes at the opening of the book, i.e. her beauty, womanly qualities, and passion are, after a time, eclipsed by the ‘A’ she is forced to wear. An example of this is her hair. Long hair is something in this time period that is a symbol of a woman. At the beginning of the story, Hawthorne tells of Hester’s long flowing hair. After she wears the scarlet letter for a time, he paints a picture of her with her hair out of site under a cap, and all the wanton womanliness gone from her. Yet, even with her true eclipsed behind the letter, of the three main characters affected, Hester has the easiest time because her sin is out in the open. More than a tale of sin, the Scarlet Letter is also an intense love story that shows itself in the forest scene between Hester and the minister Arthur Dimmesdale. With plans to run away with each, Arthur and Hester show that their love has surpassed distance and time away from each other. This love also explains why Hester would not reveal the identity of her fellow sinner when asked on the scaffolding. Roger Chillingworth is the most affected by the sin, though he was not around when the sin took place. Demented by his thoughts of revenge and hate, Hawthorne shows Mr. Chillingworth to be a devil or as a man with an evil nature. He himself commits one of the seven deadly sins with his wrath. By the end of the tale that surpasses seven years, Hester is respected and revered by the community as a doer of good works, and the minister is worshipped for his service in the church. Only Mr. Chillingworth is looked upon badly by the townspeople although no one knows why. Through it all, Hawthorne illustrates that even sin can produce purity, and that purity came in the form of the sprightly Pearl. Though she is isolated with her mother, Pearl finds her company and joy in the nature that surrounds her. She alone knows that her mother must keep the scarlet letter on her at all times, and that to take it off is wrong. Through the book the child is also constantly asking the minister to confess his sin to the people of the town inherently knowing that it will ease his pain. Hawthorne’s metaphor of the rose growing next to the prison is a good metaphor for Pearl’s life that began in that very place. The reader sees this connection when Pearl tells the minister that her mother plucked her from the rose bush outside of the prison. Finally, for all the characters, Hawthorne’s novel illustrates how one sin can escalate to encompass one’s self so that the true humans behind the sin are lost. This is what makes Hawthorne’s novel not only a story of love vs. hate, sin vs. purity, good vs. evil, but all of these combined to make a strikingly historical tragedy as well. Top Ten Quotes 1) «It may serve, let us hope, to symbolize some sweet moral blossom that may be found along the track, or relieve the darkening close of a tale of human frailty and sorrow.» 2) « ‘People say,’ said another, ‘that the Reverend Master Dimmesdale, her godly pastor, takes it very grievously to his heart that such a scandal has come upon his congregation.’» 3) « ‘If thou feelest to be for thy soul’s peace, and that they earthly punishment will there by be made more effectual to salvation, I charge thee to speak out the name of thy fellow-sinner and fellow-sufferer.’» 4) «But she named the infant ‘Pearl,’ as being of great price- purchased with all she had- her mother’s only pleasure.» 5) «After putting her fingers in her mouth, with many ungrateful refusals to answer Mr. Wilson’s question, the child finally announced that she had not been made at all, but had been plucked by her mother off the bush of wild roses that grew by the prison door» 6) « ‘He hath done a wild thing ere now, this pious Mr. Dimmesdale, in the hot passion of his heart!’» 7) «Such helpfulness was found in her- so much power to do and power to sympathize- that many people refused to interpret the scarlet ‘A’ by it’s original signification. They said that it meant ‘Able’; so strong was Hester Prynne, with a women’s strength.» 8) «‘That old man!- the physician!- the one whom they call Roger Chillingworth!-he was my husband!’» 9) «Pacify her, if thou lovest me!» 10) « ‘Hester Prynne’ cried he, with a piercing earnestness ‘in the name of Him, so terrible and so merciful, who gives me grace, at this last moment, to do what- for my own heavy sin and miserable agony- I withheld myself from doing seven years ago, come hither now, and twine thy strength about me!» Slaughterhouse Five Chapter One. Summary: The narrator assures us that the book we are about to read is true, more or less. The parts dealing with World War II are most faithful to actual events. Twenty-three years have passed since the end of the war, and for much of that time the narrator has been trying to write about the bombing of Dresden. He was never able to bring make the project work. When he thinks about Dresden's place in his memory, he always recalls two things: an obscene limerick about a man whose penis has let him down, and "My Name is Yon Yonson," a song which has no ending. Late some nights, the narrator gets drunk and begins to track down old friends with the telephone. Some years ago he tracked down Bernard O'Hare, an old war buddy of his, using Bell Atlantic phone operators. When he tracked his old friend down, he asked if Bernard would help him remember things about the war. Bernard seemed unenthusiastic. When the narrator suggests the execution of Edgar Derby, an American who stole a teapot from the ruins, as the climax of the novel, Bernard still seems unenthusiastic. The best outline the narrator ever made for his Dresden book was on a roll of toilet paper, using crayon. Colors represented different people, and the lines crisscrossed when people met, and ended when they died. The outline ended with the exchange of prisoners who had been liberated by Americans and Russians. After the war, the narrator went home, married, and had kids, all of whom are grown now. He studied anthropology at the University of Chicago, and in anthropology he learned that "there was absolutely no difference between anybody," and that "nobody was ridiculous or bad or disgusting." He's worked various jobs, and tried to keep up work on his Dresden novel all this time. He actually did go to see Bernard O'Hare just a few weeks after finding him over the telephone. He brought his young daughters, who were sent upstairs to play with O'Hare's kids. The men could not think of any particularly good memories or stories, and the narrator noticed that Mary, Bernard's wife (to whom Slaughterhouse Five is dedicated), seemed very angry about something. Finally, she confronted him: the narrator and Bernard were just babies when they fought. Mary was angry because if the narrator wrote a book, he would make himself and Bernard tough men, glorifying war and turning scared babies into heroes. The movie adaptation would then star "Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men" (14). Wars would look good, and we would be sure to have more of them. The narrator promised that it won't be that kind of book, and that he'd call it The Children's Crusade. He and Mary were friends starting at that moment. That night, he and Bernard looked through Bernard's library for information on the real Children's Crusade, a war slightly more sordid than the other crusades. The scheme was cooked up by two monks who planned to raise an army of European children and then sell them into slavery in North Africa. Sleepless later that night, the narrator looked at a history of Dresden published in 1908. The book described a Prussian siege of the city in the eighteenth century. In 1967, the narrator and O'Hare returned to Dresden. On the flight over, the narrator got stuck in Boston due to delays. In a hotel in Boston, he felt that someone had played with all the clocks. With every twitch of a clock, it seemed that years passed. That night, he read a book by Roethke and another book by Erika Ostrovsky. The Ostrovsky book, Céline and His Vision, is a story of a French soldier whose skull gets cracked during World War I. He hears noises and suffers from insomnia forever afterward, and at night he writes grotesque, macabre novels. Céline sees death and the passage of time as the same process. The narrator also read about the destruction of Sodom and Gomorrah in the hotel room's Gideon Bible. He calls attention to the moment when Lot's wife looks back and is turned into a pillar of salt. He loves her for that act, because it was such a human thing to do. Now, he presents us with his war book. He will strive to look back no more. This book, he says, is a failure. It was bound to be a failure because it was written by a pillar of salt. He gives us the first line and the last, and the central story of the novel is ready to begin. Chapter Two. Summary: "Billy Pilgrim has come unstuck in time." He wanders from moment to moment in his life, experiencing chronologically disparate events right after one another. He sees his birth and death and everything in between, all out of order, with no pattern to predict what will come next. Or so he believes. Billy was born in 1922 in Ilium, New York. Tall, thin, and embarrassingly weak, he made an unlikely soldier. He was going to night school in optometry when he got drafted to fight in World War II. His father died in a hunting accident before Billy left for Europe. The Germans captured Billy during the Battle of the Bulge. In 1945 he returned to the States, finished optometry school, and married the daughter of the school's owner. During the engagement, he was hospitalized for a nervous breakdown. After his release, he finished school, married the girl, got his own practice with help from his father-in-law, became quite rich, and had two kids. In 1968 he was the sole survivor of a plane crash. While he was in the hospital, his wife died of carbon monoxide poisoning. He returned home for rest, but without warning one day he went to New York and claimed on the radio that he had been kidnapped by aliens called Trafalmadorians. Billy's daughter, Barbara, retrieved him from New York. A month later, Billy wrote a letter to Ilium's newspaper describing the aliens. The Trafalmadorians are shaped like two-foot tall toilet plungers, suction cup down. We now see Billy working on a second letter describing the Trafalmadorian conception of time. All time happens simultaneously, so a man who dies is actually still alive, since all moments exist at all times. Billy works on his letter, oblivious to the increasingly frantic shouts of his daughter, who has stopped by to check on him. The burden of caring for Billy has made Barbara difficult and unforgiving. We move to the first time Billy gets unstuck in time. Billy receives minimal training as a chaplain's assistant before being shipped to Europe. He arrives in September of 1944, right in the middle of the Battle of the Bulge. He never meets his chaplain or gets a proper helmet or boots. Although he survives the onslaught, he wanders behind German lines, tagging along with two scouts and an anti-tank gunner named Roland Weary. Weary repeatedly saves Billy's life, mostly by not allowing him to lie down in the snow and die. Although the scouts are experienced, Weary is as new to the war as Billy is; he just fancies himself as having more of a taste for it. By firing the anti-tank gun incorrectly, his gun crew put scorch marks into the ground. Because of those marks, the position of the gun crew was revealed to a Tiger tank that fired back. Everyone but Weary was killed. He is stupid, fat, cruel, and violent. Back in Pittsburgh he was friendless, and constantly getting ditched. His father collects torture devices. He carries a cruel trench knife, various pieces of equipment that have been issued to him, and a pornographic photo of a woman with a horse. He plagues Billy with macho, aggressive conversation. In his own mind, Weary narrates the war stories he will one day tell. Although he is almost as clumsy and slow as Billy, he imagines himself and the two scouts as fast friends. In his head he dubs them and himself the Three Musketeers, and tells himself the story of how the Three Musketeers saved the life of a dumb, incompetent college kid. Straggling behind the others, Billy becomes unstuck in time. He goes back to the red light of pre-birth and then forward again to a day in his childhood with his father at the YMCA. His father tries to teach him how to swim by the sink-or-swim method. Billy sinks, and someone has to rescue him. He jumps forward to 1965, when he is a middle-aged man visiting his mother in a nursing home. Then he jumps to 1958, and Billy is attending his son's Little League banquet. Leap to 1961: Billy is at a party, totally drunk and cheating on his wife for the first and only time. Then, he is back in 1944, being shaken awake by Weary. Weary and Billy catch up to the scouts. Dogs are barking in the distance, and the Germans are searching for them. Billy is in bad shape: he looks like hell, can barely walk, and is having vivid (but pleasant) hallucinations. Weary tries to be chummy with his supposed buddies, the scouts, grouping himself with them as "the Three Musketeers." The scouts coldly tell him that he and Billy are on their own. Billy goes to 1957, when he gives a speech as the newly elected president of the Lion's Club. Although he has a momentary bout of stage fright, his speech is beautiful. He has taken a public speaking course. He leaps back to 1944. Ditched again, Weary starts to beat Billy up, furious that this weak college kid has cost him his membership in "the Three Musketeers." He cruelly beats Billy, who is in such a state that he can only laugh. Suddenly, Weary realizes that they are being watched by five German soldiers and a police dog. They have been captured. Chapter Three. Summary: The troops who capture Billy and Weary are irregulars, newly enlisted men using the equipment of newly dead soldiers. Their commander is a tough German corporal, whose beautiful boots are a trophy from a battle long ago. Once, while waxing the boots, he told a soldier that if you stared into their shine you could see Adam and Eve. Though Billy has never heard the corporal's claim, looking into the boots now he sees Adam and Eve and loves them for their innocence, vulnerability, and beauty. A blond fifteen-year- old boy helps Billy to his feet; he looks as beautiful and innocent as Eve. In the distance, shots sound out as the two scouts are killed. Waiting in ambush, they were found and shot in the backs of their heads. The Germans take Weary's things, including the pornographic picture, which the two old men grin about, and Weary's boots. The fifteen-year old gets Weary's boots, and Weary gets the boy's clogs. Weary and Billy are made to march a long distance to a cottage where American POWs are being detained. The soldiers there say nothing. Billy falls asleep, his head on the shoulder of a Jewish chaplain. Billy leaps in time to 1967, although it takes him a while to figure out the date. He is giving an eye exam in his office in Ilium. His car, visible outside his window, has conservative stickers on the bumper; the stickers were gifts from his father-in-law. He leaps back to the war. A German is kicking his feet, telling him to wake up. The Americans are assembled outside for photographs. The photographer takes pictures of Billy's and Weary's feet as evidence of how poorly equipped the American troops are. They stage photos of Billy being captured. Billy then returns to 1967, driving to the Lion's club. He drives through a black ghetto, an area recovering from recent riots and fires. He largely ignores what he sees there. At the Lion's club, a marine major talks about the need to continue the fight in Vietnam. He advocates bombing North Vietnam into the Stone Age, if necessary, and Billy does not think of the horror of bombing, which he has witnessed himself. He is simply having lunch. The narrator mentions that he has a prayer on the wall of his office: "God grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom always to tell the difference." The narrator tells us that Billy cannot change past, present, or future. After lunch, Billy goes home. He is a wealthy man now, with a son in the Green Berets and a daughter about to get married; he also is seized occasionally by sudden and inexplicable bouts of weeping. During one of these spells, he closes his eyes and finds himself back in World War II. He is marching with an ever-growing line of Americans making their way through Luxembourg. They cross into Germany, being filmed by the Germans who want a record of their great victory. Weary's feet are sore and bloody from marching on the German boy's clogs. The Americans are sorted by rank, and a colonel tries to talk with Billy. The colonel is dying; he tries to be chummy with Billy. He has always wanted to be called "Wild Bob" by his men. He dreams of having a reunion of his men in his hometown of Cody, Wyoming. He invites Billy and the other men to come. Vonnegut mentions that he and Bernard O'Hare were there when the colonel gave his invitation. All of the POWs are put into train cars. The train does not leave for two days; during that time Wild Bob dies. The boxcars are so crowded that to sleep the men have to take turns lying down. When the train finally begins its trek deeper into Germany, Billy jumps through time again. It is 1967, and he is about to be kidnapped for the first time by the Trafalmadorians. Chapter Four. Summary: In 1967, on his daughter's wedding night, Billy cannot sleep. Because he is unstuck in time, he knows that he will soon be kidnapped by a Trafalmadorian flying saucer. He kills time unproductively in the meantime. He watches a war movie, and because he is unstuck in time the movie goes forward and then backward. He goes out to meet the ship, and he is taken as planned. As the ship shoots out into space, Billy is jarred back to 1944. In the boxcar, none of the men want Billy to sleep next to them because he yells and thrashes in his sleep. He is forced to sleep while standing. In another car, Weary dies of gangrene in his feet. As he slowly dies over the course of days, he tells people again and again about the Three Musketeers. He also asks that someone get revenge for him on the man who caused his death. He blames Billy Pilgrim, of course. The train finally arrives at a camp, and Billy and the other men are pushed and prodded along. The camp is full of dying Russian POWs. At points, Vonnegut likens the Russians' faces to radium dials. The Americans are all given coats; Billy's is too small. They go into a delousing station, where all of the men strip naked. Billy has one of the worst bodies there; he is skinny and weak, and a German soldier comments on that fact. We are introduced briefly to Edgar Derby and Paul Lazarro. Derby is the oldest POW there, a man who pulled strings to get into the army. He is a high school teacher from Indianapolis, and he is physically sturdy despite his forty- four years of age. He will be shot after the Dresden bombing for trying to steal a teapot. Paul Lazarro is a car thief from Illinois. His body is even weaker and less healthy than Billy's. He was in Roland Weary's boxcar, and he vowed solemnly to Weary that he would find and kill Billy Pilgrim. When the scalding water turns on, Billy leaps back to his infancy. His mother has just finished giving him a bath. He then leaps forward to a Sunday game of golf, played with three other optometrists. Then, he leaps in time to the space ship, on his first trip to Trafalmadore. He talks with one of his captors about time, and he says that the Trafalmadorians sound like they do not believe in free will. The alien replies that in all of the inhabited planets of the galaxy, Earth is the only one whose people believe in the concept of free will. Chapter Five. Summary: En route to Trafalmadore, Billy asks for something to read. The only human novel is Valley of the Dolls, and when Billy asks for a Trafalmadorian novel, he learns that the aliens' novels are slim, sleek volumes. Because they have a different concept of time, Trafalmadorians have novels arranged by juxtaposition of marvelous moments. The books have no cause or effect or chronology; their beauty is in the arrangement of events meant to be read simultaneously. Billy jumps in time to a visit to the Grand Canyon taken when he was twelve years old. He is terrified of the canyon. His mother touches him and he wets his pants. He jumps forward in time just ten days, to later in the same vacation. He is visiting Carlsbad Caverns. The ranger turns the lights off, so that the tourists can experience total darkness. But Billy sees a light nearby: the radium dial of his father's watch. Billy jumps back to the war. The Germans think Billy is one of the funniest creatures they've seen in all of the war. His coat is preposterously small, and on his already awkward body it looks ridiculous. The Americans give their names and serial numbers so that they can be reported to the Red Cross, and then they are marched to sheds occupied by middle-aged British POWs. The British welcome them with singing. These British POWs are officers, some of the first Brits taken prisoner in the war. They have been prisoners for four years. Due to a clerical error early in the war, the Red Cross shipped them an incredible surplus of food, which they have hoarded cleverly. Consequently, they are some of the best-fed people in Europe. Their German captors adore them. To prepare for their American guests, the Brits have cleaned and set out party favors. Candles and soap, supplied by the Germans, are plentiful: the British do not know that these items are made from the bodies of Holocaust victims. They have prepared a huge dinner and a dramatic adaptation of Cinderella. Billy is so unhinged that his laughter at the performance becomes hysterical shrieking, and he is taken to the hospital and doped up on morphine. Edgar Derby watches over him, reading The Red Badge of Courage. He leaps in time to the mental ward where he recovered in 1948. In the mental ward, Billy's bed is next to the bed of Elliot Rosewater. Like Billy, he has little love for life, in part because of things he saw and did in the war. He is the man who introduces Billy to the science fiction of Kilgore Trout. Billy is enduring one of his mother's dreaded visits. She is a simple, religious woman. She makes Billy feel worse just by being there. Billy leaps back in time to the POW camp. A British colonel talks to Derby; after the newly arrived Americans shaved, the British were shocked by how young they all were. Derby tells of how he was captured: the Americans were pushed back into a forest, and the Germans rained shells on them until they surrendered. Billy leaps back to the hospital. He is being visited by his ugly, overweight fiancée Valencia. He knew he was going crazy when he proposed to her. He does not want to marry her. She is visiting now, eating a Three Musketeers bar and wearing a diamond engagement ring that Billy found while in Germany. Elliot tells her about The Gospel from Outer Space, a Kilgore Trout book. Valencia tries to talk to Billy about plans for their wedding and marriage, but he is not too involved. He leaps forward in time to the zoo on Trafalmadore, where he was on display when he was forty-four years old. The habitat is furnished with Sears and Roebuck furniture. He is naked. He answers questions posed by the Trafalmadorian tourists. He learns that there are five sexes among the Trafalmadorians, but the sex difference is only visible in the fourth dimension. On earth there are actually seven sexes, all necessary to the production of children; earthlings just do not notice the sex difference between themselves because many of the sex acts occur in the fourth dimension. These ideas baffle Billy, and they in turn are baffled by his linear concept of time. Billy expects the Trafalmadorians to be concerned about or horrified by the wars on earth. He worries that earthlings will eventually threaten all the other races in the galaxy, causing the eventual destruction of the universe. The Trafalmadorians put their hands over their eyes, which lets Billy know that he is being stupid. The Trafalmadorians already know how the universe will end: during experiments with a new fuel, one of their test pilots pushes a button and the entire universe will disappear. They cannot prevent it. It has always happened that way. Billy correctly concludes that trying to prevent wars on Earth is futile. The Trafalmadorians also have wars, but they choose to ignore them. They spend their time looking at the pleasant moments rather than the unpleasant ones; they suggest that humans learn to do the same. Billy leaps back in time to his wedding night. It is six months after his release from the mental ward. The narrator reminds us that Valencia and her father are very rich, and Billy will benefit greatly from his marriage to her. After they have sex, Valencia tries to ask Billy questions about the war. She wants a heroic war story, but Billy does not really respond to her. He has a crazy thought about the war, which Vonnegut says would make a good epitaph for Billy, and for the author, too: "Everything was beautiful, and nothing hurt." He jumps in time to that night in the prison camp. Edgar Derby has fallen asleep. Billy, doped up still from the morphine, wanders out of the hospital shed. He snags himself on a barbed wire fence, and cannot extract himself until a Russian helps him. Billy never really says a word to the Russian. He wanders to the latrine, where the Americans are sick from the feasting. A long period without food followed by a feast almost always results in violent sickness. Among the sick Americans is a soldier complaining that he has shit his brains out. It is Vonnegut. Billy leaves, passing by three Englishmen who watch the Americans' sickness with disgust. Billy jumps in time again, back to his wedding night. He and his wife are cozy in bed. He jumps in time again, to 1944. It is before he left for Europe; he is riding the train from South Carolina, where he was receiving his training, all the way back to Ilium for his father's funeral. We return to Billy's morphine night in the POW camp. Paul Lazarro is carried into the hospital; while attempting to steal cigarettes from a sleeping British officer, he was beaten up. The officer is the one carrying him. Seeing now how puny Lazarro is, the officer feels guilty for hitting him so hard. But he is disgusted by the American POWs. A German soldier who adores the British officers comes in and apologizes for the inconvenience of hosting the Americans. He assures the Brits in the room that the Americans will soon be shipped off for forced labor in Dresden. The German officer reads propaganda materials written by Howard Campbell, Jr., a captured American who is now a Nazi. Campbell condemns the self-loathing of the American poor, the inequalities of America's economic system, and the miserable behavior of American POWs. Billy falls asleep and wakes up in 1968, where his daughter Barbara is scolding him. Barbara notices the house is icy cold and goes to call the oil-burner man. Billy leaps in time to the Trafalmadorian zoo, where Montana Wildhack, a motion picture star, has been brought in to mate with him. Initially unconscious, she wakes to find naked Billy and thousands of Trafalmadorians outside their habitat. They're clapping. She screams. Eventually, though, she comes to love and trust Billy. After a week they're sleeping together. He travels in time back to his bed in 1968. The oil-burner man has fixed the problem with the heater. Billy has just had a wet dream about Montana Wildhack. The next day, he returns to work. His assistants are surprised to see him, because they thought that he would never practice again. He has the first patient sent in, a boy whose father died in Vietnam. Billy tries to comfort the boy by telling him about the Trafalmadorian concept of time. The boy's mother informs the receptionist that Billy is going crazy. Barbara comes to take him home, sick with worry about what how to deal with him. Chapter Six. Summary: Billy wakes after his morphine night in POW camp irresistibly drawn to two tiny treasures. They draw him like magnets; they are hidden in the lining of his coat. It will be revealed later on exactly what they are. He goes back to sleep, and wakes up to the sounds of the British building a new latrine. They have abandoned their old latrine and their meeting hall to the Americans. The man who beat up Lazarro stops by to make sure he is all |
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